這篇影評可能有劇透

這是導演Emmanuel Osei-Kuffour Jr.第一次執導的片子《黑盒子》（“Black Box”），探討的是人生的記憶。 馬莫多·阿西扮演的是男主諾蘭，他和妻子遭遇車(chē)禍、妻子亡故而他長(cháng)期失眠、無(wú)法與女兒溝通。

女兒為他的父親做了很多備忘貼，帖子房子各處提醒父親如何應付家中瑣事。。。然而諾蘭對自身和他妻子之間存在很多疑問(wèn)。。。這不禁讓他及其想知道當年他是怎么樣的丈夫。。。。此后諾蘭找到神經(jīng)科專(zhuān)家Lillian ( 菲利西亞·拉斯海德) 提供一些實(shí)驗性的治療 黑盒子（"black box"）， 這可能讓諾蘭選擇性滴重溫他的記憶片段、從而解析自己的記憶。 可是，當諾蘭重訪(fǎng)他的生命中重要節點(diǎn)時(shí)：新婚之夜、重訪(fǎng)故居。。。 他開(kāi)始看到一些詭異的影像：變形、面目空洞的人物，如蜘蛛一般迫近的怪物。。。。

Emmanuel Osei-Kuffour Jr.和史蒂文 赫曼筆下《黑盒子》的故事介于科幻與普通恐怖驚悚之間。。。 觀(guān)者從主人公視角出發(fā)，自細微之處發(fā)現蹊蹺。。。。直至最終驚悚的真相暴露出來(lái)。

The lo-fi surreality of "Black Box" blossoms with an excellent and twisty third act, one that playswith the confines of this science but also adds gripping nuances about memory and identity. Nolan's memories of being a father and a husband are not just the good ones, and the script earns painful moments you might have never thought it would go for when you first hit Play. It’s an exhilarating type ofsci-fi indie that sets its own rules, and by the climax you’re following along as it reaches grandiose themes on its own terms. If you described certain scenes out of context, it would be incredibly confusing; in Osei-Kuffour Jr.'s confident hands, they're like bizarre bits of theaterthat further show how unique "Black Box" is.

It takes a special mix of ingenuity and daring to actualize a project like this, something that Osei-Kuffour Jr.'sunmistakable influence and inevitable peer Chris Nolan, has proven in the past.When you watch a debut like “Black Box,” you just know that the director is going to be around for a while.